Reviews of Jeanette Winterson's Why Be Happy When You Could Be Normal?
As Jeanette Winterson tours her new memoir around the U.S., the reviews keep coming in. Here is an alphabetical list of links. I'll add more as I find them.
83.9 KPCC (Southern California): http://www.scpr.org/programs/patt-morrison/2012/03/14/25599/jeanette-winterson-asks-the-question-why-be-happy-
American Libraries Magazine (interview): http://americanlibrariesmagazine.org/columns/newsmaker/interview-jeanette-winterson
The Boston Globe: http://articles.boston.com/2012-03-10/arts/31138681_1_memoir-novel-mccarthyism
The Examiner (Chicago): http://www.examiner.com/media-culture-in-chicago/chicago-launch-why-be-happy-when-you-could-be-normal
The Guardian: http://www.guardian.co.uk/books/2011/nov/04/why-be-happy-jeanette-winterson-review
Newsday: http://www.newsday.com/entertainment/books/jeanette-winterson-s-why-be-happy-1.3582975
The New York Times: http://www.nytimes.com/2012/03/09/books/jeanette-wintersons-why-be-happy-when-you-could-be-normal.html?_r=1
The Philadelphia Inquirer: http://articles.philly.com/2012-03-20/news/31215287_1_childhood-home-mother-heavy-clay
Salon.com: http://www.salon.com/2012/02/26/why_be_happy_when_you_could_be_normal_portrait_of_the_artist_as_a_young_pentecostal/singleton/
The Seattle Times: http://seattletimes.nwsource.com/html/books/2017692403_br11winterson.html?prmid=head_more
The Washington Post: http://www.washingtonpost.com/entertainment/books/2012/04/02/gIQAYlesrS_story.html
Salvation on Sand Mountain Review
Salvation on Sand Mountain
by Dennis Covington
Boston: Addison-Wesley, 1995. 272p
Author Bio
Dennis Covington was born in Birmingham, Alabama, in
1948. In Salvation on Sand Mountain he describes going to a relatively tame
Methodist church when he was growing up, though the church was often visited by
firey, Pentecostal type preachers. He began attending a Baptist church with his
second wife shortly before the central events he describes in the book.
Covington earned an MFA from the Iowa Writers’ Workshop in
the early 1970s and has taught both English and Creative Writing throughout his
career. He is currently a professor in
the English Department at Texas Tech University.
In between teaching assignments, Covington served as a
reporter and columnist for several newspapers, including The New York Times. In 1983,
he served as a freelance war correspondent in El Salvador.
Covington
has published two YA novels, three memoirs including Salvation on Sand Mountain, along with numerous essays
and short stories. Religion is a topic
he revisits frequently. For example, in a 2007 review of
Christopher Hitchens’ God is Not Great,
Covington defends religion in general, and Christianity in particular by poking
holes in Hitchens’ theory that “religion kills,” holding up Martin Luther King
Jr. and Dietrich Bonhoeffer as positive political figures whose faith Hitchens
misinterprets.
Plot Description
In the tradition of new journalism by Michael Herr and
Norman Mailer, Covington investigates the small snake handling community in the Appalachian mountains that
is connected to an attempted murder trial.
Glen Summerford, the former Pastor of the church, is tried and convicted
of trying to kill his wife with snake venom.
It isn’t long before the trial recedes into the background.
The real story here is the snake handlers themselves and Covington’s
involvement with them. Covington
provides detailed, sympathetic descriptions of their services where
participants speak in tongues and handle snakes.
Gradually, Covington becomes part of the community. He speaks in tongues, even handles snakes,
and experiences the same ecstasy he sees others experience. The experiences
prompt him to dig into his own past, desperately searching for a hereditary
connection to the snake handlers. AT the same time, Covington always distances himself from the group; he never fully describes himself as one of the snake handlers.
[SPOILER]
Covington's internal struggle becomes external
when he preaches gender equality in the church. The male authorities in the church reject him, and
Covington leaves the community for good.
Pentecostal Elements
The snake handling church Covington investigates is a
Pentecostal-Holiness church. Members of the church practice glossolalia, snake handling, become
slain in the spirit, and demonstrate various other ecstatic experiences. The book is filled with descriptions of these
experiences. The book also shows other
elements of the community, including its suspicion of outsiders, its uneven
gender roles, its tendency toward simple, modest dress, etc. Although these
elements may be more common to other Pentecostal churches than snake handling,
they are hardly universal to all Pentecostal churches.
Critical Response
Salvation on Sound
Mountain was widely and generally positively reviewed when it was released.
For example, in his review for The New
York Times, Lee K Abbott calls Covington’s memoir “a book of
revelation—brilliant, dire, and full of grace.” The book was a finalist for the
National Book Award in 1995.
William Jolliff points out that some reviewers did quibble
with the book because of the way it crosses genres. Reviewers who wanted more an
anthropological study of the snake handlers were confused by Covington’s
introspection.
Some academics are also confused about how to situate the Salvation on Sound
Mountain. In his book Between Heaven and Hell, Robert Orsi critiques Covington for his
rejection of the snake handling church at the end of the book. For Orsi, it represents the moralizing tone
to many Religious Studies scholars take when writing about “radical others.” Russell
T. McCutcheon takes issue with Orsi’s underlying thesis about methodology in
Religious Studies, and comes back to Covington as an example. McCutcheon and Orsi both read Covington's book as a reflexive study of the snake handling community.
Unlike the two Religious Studies scholars, Jolliff, a
literary scholar, reads Salvation on Sand Mountain as a spiritual autobiography
which is supposed to be more about Covington’s spiritual journey than the
community he is observing. Jolliff compares the book to Hemingway’s The Sun Also Rises, making the argument
that the earlier novel is the unconscious subtext of the more recent
memoir. The paper is relatively
simplistic and reveals little about the text.
Abbott, Lee K. “Death Rattle.” The New York Times 9 April 1995.
Jolliff, William. “Redeeming the Serpentine Subtext: Dennis
Covington’s Appropriation of Hemingway’s The Sun Also Rises in Salvation on
Sand Mountain.” The Hemingway Review 30.2
(2011): 73-87.
McCutcheon, Russell T. “‘It’s a Lie. There’s No Truth in It!
It’s a Sin!’: On the Limits of the Humanistic Study of Religion and the Costs
of Saving Others from Themselves.” Journal
of the American Academy of Religion 74.3 (2006): 720–50.
Orsi, Robert A. Between
Heaven and Earth: The Religious Worlds, People who Make Them, and the Scholars
who Study Them. Princeton: Princeton U P, 2005.
Links
Forthcoming
The Truest Pleasure Review
by Robert Morgan
Chapel Hill: Algonquin Books, 1995. 334p
Author Bio
Plot Description
Set in early 20th century North Carolina, the novel is the first person chronicle of Virginia (Ginny) Powell’s experiences of rural life with her father, siblings, husband, and children. She struggles to find a balance between the ecstatic highs of Pentecostal religious experiences and sex, and the mundane work of everyday life. This struggle causes conflict with her husband, who disapproves of her Pentecostal experiences.
There are two other experiences which provide Ginny with a similar kind of ecstasy. The first is sex. The text explicitly links the sexual and religious experiences, not only because Ginny uses religious language to describe her experiences, but because she says the feeling she gets from sex is the same she gets when she speaks in tongues. She even describes sex as a kind of praise. The second is her experience with nature. This is much less explicit in the novel, and happens only rarely.
Chapel Hill: Algonquin Books, 1995. 334p
Author Bio
Robert Morgan was born in North Carolina in 1944. His parents were strict Baptists, but his father occasionally attended a Pentecostal church. He studied Mathematics and Engineering at the University of North Carolina before transferring to English. He graduated from the MFA program at UNC in 1968. Since 1971, he has been teaching English and Creative Writing at Cornell University.
He has written 14 books of poetry, four collections of short stories, four novels, two non-fiction books, and one collection of essays. His poetry and short stories have appeared in The Atlantic, The Southern Review, and Poetry. In 2007 he won the Academy Award in Literature by the American Academy of Arts and Letters, and the Thomas Wolfe Prize in 2008. His second novel, Gap Creek, was selected to be part of Oprah’s Book club in 2000.
Morgan has stated that he believes religion is an important part of people’s lives that he wants to explore in his fiction, especially when he is writing about people in Appalachia. He suggests that religion has largely been left out of fiction about Appalachia and the south. At the same time, he wants to be careful not to present a condescending portrayal of religion. Instead, he wants to imagine what religious participants fell and think of their own practice.
Plot Description
Set in early 20th century North Carolina, the novel is the first person chronicle of Virginia (Ginny) Powell’s experiences of rural life with her father, siblings, husband, and children. She struggles to find a balance between the ecstatic highs of Pentecostal religious experiences and sex, and the mundane work of everyday life. This struggle causes conflict with her husband, who disapproves of her Pentecostal experiences.
Pentecostal Elements
The novel opens with Ginny at a Pentecostal service, speaking in tongues for the first time. It is presented as a kind of conversion experience for Ginny who has a new appreciation of God, and the world around her. While the language here is poetic, it is also similar to the language common in Pentecostal churches and recorded conversion narratives from the turn of the century. It isn’t long before the ecstasy of the service is lost as Ginny returns to the mundane work on the farm. Throughout the novel, Ginny periodically returns to Pentecostal revival meetings and re-experiences the ecstasy, but it never sustains her. Meanwhile, it becomes a lingering point of contention between her and her husband, who believes that reasonable people should not act the way Pentecostal people act.
The novel opens with Ginny at a Pentecostal service, speaking in tongues for the first time. It is presented as a kind of conversion experience for Ginny who has a new appreciation of God, and the world around her. While the language here is poetic, it is also similar to the language common in Pentecostal churches and recorded conversion narratives from the turn of the century. It isn’t long before the ecstasy of the service is lost as Ginny returns to the mundane work on the farm. Throughout the novel, Ginny periodically returns to Pentecostal revival meetings and re-experiences the ecstasy, but it never sustains her. Meanwhile, it becomes a lingering point of contention between her and her husband, who believes that reasonable people should not act the way Pentecostal people act.
Critical Response
In a New York Times review, Richard Bausch suggests that The Truest Pleasure is mostly successful. Bausch suggests that Morgan’s poetic style works well in some places during crisis points, but at other points works against the novel of the narrative, creating a sense of an static, overly composed narrative voice.
In a New York Times review, Richard Bausch suggests that The Truest Pleasure is mostly successful. Bausch suggests that Morgan’s poetic style works well in some places during crisis points, but at other points works against the novel of the narrative, creating a sense of an static, overly composed narrative voice.
In a 2010 article for the Souther Quarterly, Robert D Denham argues that Morgan leads both readers and Ginny to the realization that “service is also praise,” and that this service is the “truest pleasure.” Denham clearly links this to a theology of immanence. Curiously, he also reads the novel alongside classical mythology and classical narrative theory.
Denham, Robert D. "'Service Is Also Praise': Recognition in Robert Morgan's The Truest Pleasure". Southern Quarterly: A Journal of the Arts in the South: 47.3 ( 2010 Spring), pp. 129-141.
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